ABOUT US
Welcome to BAKERMOON, a Berlin recording studio owned & run by British producer Ed Bentley.
Studio works by Ed Bentley in various capacities as an engineer / producer / musician:
About Ed Bentley :
Growing up in London and Rio de Janeiro, Ed opened Bakermoon Studios in 2007 as creative space to produce friends’s early demos.
2012 saw a move over to Berlin where he has spent the last 7 years and grew Bakermoon into a high-end commercial recording facility that became the go to place for many in the Berlin music community.
In various capacities, Ed has worked with a wide array of artists and genres over the years, from the BAFTA winning, GRAMMY nominated soundtrack The Theory of Everything, with late composer Johann Johannsson, to disco hipsters PARCELS, to the pioneering works of Holly Hendon’s PROTO (BBC6 Mary Anne Hobbs’ album of 2019), to the many colourful corners of Berlin’s music scene, including engineering the Top 10 album ‘Wonderer’ by MOGLI.
Ed has developed a reputation for capturing live organic performances in the studio, bringing a modern approach to old school 24 track recording, and keeping things simple.
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A few of the artists / producers to have worked with Ed:
Johann Johannsson (Golden Globe/BAFTA winner), Dustin O’Halloran (Emmy winner), Parcels, Mogli, Holly Herndon, Adam Ficek (Babyshambles), Sophie Hunger, Kristof Hahn (Swans), Paul Wallfish (Swans), Larry Mullins (Nick Cave & The Bad Seeds), AJ Tracey, Jim Kroft, All The Luck In The World, Dear Reader Cheri Macneil, Paul Pilot, Hannes Butze, Zebo Adam, Tadeu Patolla (Latin Grammy winner), Daniel Arruda, Apeles, Amoy Ribos, Jonathan Kluth, Alexa Shoen, Ben Barritt, Ryan McMullan, H.Grimace, James P Honey, A Band of Buriers, Esben & The Witch, Ambatt, Teresa Bergman, Tom Adams, Kim Wennerström, Charlotte Brandi (Me and My Drummer), Joe Joaquim, Espin, Joschka Bender, The Anna Thompsons, Arish Khan (King Khan & The Shrines), Deborah Scarlet / Evelinn Trouble, Johannes Oerding, Michael Schulte, Max Prosa, Benne, HYMMJ, Dizzy Birds…and many more!
Jobs / internships: sorry everyone, at the moment we’re not hiring!
GALLERY
EQUIPMENT
Console
- Quad 8 - Coronado (1977 USA)
Recorders
- Protools HD3 running HD9
Converters
- x2 Digidesign 192; 24 analogue I/O
Outboard
- 1x Universal Audio 2-1176 compressor
- 2x Urei LA-4 compressor
- 2x Quad 8 compressors
- 2x Tube Tech PC 1E
- 1x Alesis Midiverb II
- 1x Alesis Microverb III
- 1x Eventide H3000
- 1x Yamaha 312 PA mixer
Mics
- 1x Neumann M147
- 1x AKG C414-B ULS
- 2x Coles 4038 matched pair
- 2x Beyer Dynamic M160
- 2x Oktava MK 012-01
- 1x Beyer Dynamic M88 TG
- 1x Electro Voice RE20
- 3x Sennheiser MD 421
- 1x Sennheiser MD 441
- 1x Shure sm7b
- 2x Shure sm57
- 1x Shure sm58
- 1x Telephone mic– 1960s analogue telephone adapted by Bakermoon
- 1x Zoom H4n stereo mic
- 1x Radial JDI passive Jensen transformer DI
- 2x Palmer passive DI
Monitoring
- Yamaha NS-10
- Genelec 1032a
- Hafler Pro5000 amplifier for NS-10s
- Yamaha 300W PA system, with EMX 312sc mixer
- 2x Lake People G105 headphone amp
- 1x Palmer PHDA 02 headphone amp
- 1x Art Headamp 6 Pro headphone amp
- 4x AKG DT 770 Pro headphones
- 1x AKG DT 880 Pro headphones
Instruments
- Gibson ES-120T hollow bodied electric guitar (1964)
- Gibson Gospel acoustic guitar (1992)
- Fender Telecaster USA (2002)
- Fender Stratocaster USA (2010)
- Harmony electric guitar (1960s)
- Di Giorgio Signorina, Brazilian nylon string guitar (1992)
- Yamaha acoustic guitar (2002)
- Yuri Landman custom built 'Home Swinger'
- Moog Subsequent 37
- Korg Trinity keyboard/synth (1995)
- Roland TR-505 drum machine (1980s)
- Yamaha Tenori-On synth/midi sequencer
- Novation 25SL MkII midi controller/keyboard
- E-MU UltraProteus “19 rack synth (1990s)
- Premier drum kit (2000s) 22" Kick, 12" tom, 16" floor tom, snare 14.5"
- Meinl cymbals: ride 20" / crash 18" / 14" hi-hats
- Other cymbals: ride/crash 16.5", 13.5" hi-hats
- Fender Delux valve amp (2002)
- Ampeg SVT 15 EN cabinet (1995)
- Kustom III (Lead) guitar/bass amp & cabinet (1970s)
- E-Bow Plus electronic bow for guitar
- Hohner blues harp MS harmonica
- Various percussion
- Various guitar pedals
- Quad 8 – Coronado (1977 USA)
- Protools HD3 running HD9
- x2 Digidesign 192; 24 analogue I/O
- 1x Universal Audio 2-1176 compressor
- 2x Urei LA-4 compressor
- 2x Quad 8 compressors
- 2x Tube Tech PC 1C
- 1x Alesis Midiverb II
- 1x Alesis Microverb III
- 1x Eventide H3000
- 1x Yamaha 312 PA mixer
- 1x Neumann M147
- 1x AKG C414-B ULS
- 2x Coles 4038 matched pair
- 2x Beyer Dynamic M160
- 2x Oktava MK 012-01
- 1x Beyer Dynamic M88 TG
- 1x Electro Voice RE 20
- 3x Sennheiser MD 421
- 1x Sennheiser MD 441
- 1x Shure sm7b
- 2x Shure sm57
- 1x Shure sm58
- 1x Telephone mic– 1960s analogue telephone adapted by Bakermoon
- 1x Zoom H4n stereo mic
- 1x Radial JDI passive Jensen transformer DI
- 2x Palmer passive DI box
- Yamaha NS-10
- Genelec 1032a
- Hafler Pro5000 amplifier for NS-10s
- Yamaha 300W PA system, with EMX 312sc mixer
- 2x Lake People G105 headphone amp
- 1x Palmer PHDA 02 headphone amp
- x1 Art Headamp 6 Pro headphone amp
- 4x AKG DT 770 Pro headphones
- 1x AKG DT 880 Pro headphones
- Gibson ES-120T hollow bodied electric guitar (1964)
- Gibson Gospel acoustic guitar (1992)
- Fender Telecaster USA (2002)
- Fender Stratocaster USA (2010)
- Di Giorgio Signorina, Brazilian nylon string guitar (1992)
- Harmony electric guitar (1960s)
- Yamaha acoustic guitar (2002)
- Yuri Landman custom built ‘Home Swinger’
- Moog Subsequent 37
- Korg Trinity keyboard/synth (1995)
- Roland TR-505 drum machine (1980s)
- Yamaha Tenori-On synth/midi sequencer
- Novation 25SL MkII midi controller/keyboard
- E-MU UltraProteus “19 rack synth (1990s)
- Premier drum kit (2000s) 22″ Kick, 12″ tom, 16″ floor tom, snare 14.5″
- Meinl cymbals: ride 20″ / crash 18″ / 14″ hi-hats
- Other cymbals: ride/crash 16.5″, 13.5″ hi-hats
- Fender Delux valve amp (2002)
- Kustom III (Lead) guitar/bass amp & cabinet (1970s)
- Ampeg SVT 15 EN cabinet (1995)
- E-Bow Plus electronic bow for guitar
- Hohner blues harp MS harmonica
- Various percussion
- Guitar pedals
Blog
Berlin recording studio, Bakermoon Studios, latest news
The Bakermoon Quad 8 ‘Coronado’
Our 1977 Quad 8 Coronado, picked up in London, arrives at Bakermoon Studios in Berlin.
12 Likes0 Comments2 Minutes
Contact
For all bookings and enquiries please contact:
Ed Bentley – ed@bakermoon.com
BAKERMOON STUDIOS
Dieffenbachstr. 10967, Berlin
Booking
Booking rates 2020 - Ed Bentley
Production:
Ed will produce your project from rough demos to finished, competitive masters. For productions in studios other than Bakermoon, Ed’s travel and lodging are also covered by the client.
Engineering:
Hire an engineer with over 200 millions streams to his name and a proven track record of creating world-class recordings. With your production in safe, inspired hands, you can relax and focus on the music.
Mixing:
Ed’s mixes have a reputation for analogue warmth, punch and vibe. On home turf, he has the luxury of mixing on his vintage 1970s analogue mixing console, and much loved personal mix rig at Bakermoon.
Flat rate mixes include two revisions with phone, video call or in person discussions. Alternatively, have Ed work for his daily rate, and get into the mixing minutia. Printed stems by request at an additional charge.
Prices: We love working on all sorts of diverse projects, so please get in touch with the details and we’ll get back to you with a bespoke offer to suit your individual needs and your budget.
Payment: We ask for a 50% deposit upfront to secure your booking. The remaining 50% balance is due by the end of your session.
Cancelation: A 10 day notice is requested in order to receive a refund. If you have to cancel with less than 10 days notice, we’ll be able to move the session to a new date free of charge.
VAT / MwSt: Depending on your situation, prices maybe subject to VAT.
Please click here to download the PDF version.